311 로열티 프리 오디오 트랙들 "캔디 바"에 대한

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00:12
Unbranded straight die grinder started four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
著者: Ldezem
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00:09
Reminds me the turkish pop songs of 90's.
著者: Daatg
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01:05
People talk outside a club in lower manhattan.
著者: Veridiansunrise
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00:16
This is a 2 bar 120 bpm bassline with one dry and one wet play thru. The effect on the wet half is a simple filter morph, raising the cut-off on a low-pass filter thru-out the loop.
著者: Nednednerb
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05:00
I combined an ambient bar crowd recording that i found here with a funky little back beat that i also found on this site and made a great cubicle noise blocker / filter. I use this at work with headphones on when i'm trying to concentrate and drown out conversations in the office. Also good for when i work from home and i'm trying to drown out the tv and other distractions. The crowd noise is excellent at diffusing regular office conversation and the little funky back beat keeps the crowd noise from getting boring. This works really well even at fairly low volume i. E. You dont have to crank it loud to drown out the distractions. Hope you like it and thanks to everyone for the great sounds on this site. Combination of the following two files - yet another bar crowd - june 2007. Wav (lonemonk)hip hop. Wav(ls)ps - i purposely let the crowd noise run out for a few seconds at the end so that you can appreciate the full groove of the hip hop. Wav. Has a nice effect when you loop the whole thing, gives you a little break from the crowd noise. Almost like you're stepping out of the room for a second.
著者: Chuckycheetos
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00:22
This sample was created solely from instruments downloaded on freesound. Org. Having experimented more, i created another break with lfo band frequencies adjusted to create a white noise type break. I then played them simultaneously and mixed one into the other to create the effect of moving the eq in real time. To fully appreciate this, you need to download and play it seemlessly looped. This is recorded at 90 bpm for the continuum 4 project. You can visit the thread here:. Http://www. Freesound. Org/forum/dare-the-community/32704/. Here are the sounds used in the break:. Snare: http://www. Freesound. Org/people/ltibbits/sounds/16306/kick boom: http://www. Freesound. Org/people/jobro/sounds/33523/short kick: http://www. Freesound. Org/people/crescendo/sounds/16709/closed hat: http://www. Freesound. Org/people/atomwrath/sounds/11394/rim: http://www. Freesound. Org/people/opm/sounds/2095/open hat: http://www. Freesound. Org/people/tictacshutup/sounds/423/static: http://www. Freesound. Org/people/hello_flowers/sounds/30974/rev crash: http://www. Freesound. Org/people/halleck/sounds/30938/.
著者: Snapper
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00:22
This sample was created solely from instruments downloaded on freesound. Org. Having experimented more, i created another break with lfo band frequencies adjusted to create a white noise type break. I then played them simultaneously and mixed one into the other to create the effect of moving the eq in real time. To fully appreciate this, you need to download and play it seemlessly looped. This is recorded at 90 bpm for the continuum 4 project. You can visit the thread here:. Http://www. Freesound. Org/forum/dare-the-community/32704/. Here are the sounds used in the break:. Snare: http://www. Freesound. Org/people/ltibbits/sounds/16306/kick boom: http://www. Freesound. Org/people/jobro/sounds/33523/short kick: http://www. Freesound. Org/people/crescendo/sounds/16709/closed hat: http://www. Freesound. Org/people/atomwrath/sounds/11394/rim: http://www. Freesound. Org/people/opm/sounds/2095/open hat: http://www. Freesound. Org/people/tictacshutup/sounds/423/static: http://www. Freesound. Org/people/hello_flowers/sounds/30974/rev crash: http://www. Freesound. Org/people/halleck/sounds/30938/.
著者: Snapper
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00:19
We poured some water and put ice and then drank the water at home to make it sound like a pub.
著者: Jerkysynth
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06:13
Crowded bar. Recorded with an pcm-50.
著者: Soundsexciting
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00:14
Removing the plastic package of a protein bar. Recorder: mixpre 6microphones: oktavia. You can use this sound for your non-profit or for-profit projects. You can also help me directly on paypal:https://paypal. Me/federicocasazza?country. X=gb&locale. X=en_gb. Enjoy.
著者: Rico Casazza
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01:08
Ambience recorded with zoom h5 xy mics.
著者: Kintana
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00:45
Heard a barred owl calling in my backyard. Grabbed my zoom h4n with audio-technica at897 shotgun mic and started recording. Did some minor equalization to soften the higher frequencies and roll off the low end. Crickets are chirping in the background, a few other insects make some sounds. Soft droning of a couple planes flying by and vehicles from a highway about a mile away, but do not overpower the barred owl.
著者: Danielmcadams
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00:12
A small loop, a bit nostalgic, like a music for kids.
著者: Raph
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02:18
Inn keeper lines. Male. Halfling sounding. Free to use.
著者: Snowfightstudios
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00:58
Ambience from xarhakos bar in thessaloniki, near the white tower, after quarantine in 2021, where the bars had opened, but no music was allowed. You can only hear the chatter, the cups and other sounds of the environment, not being polluted by the music. Take 3.
著者: Dokuta Gerovv
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00:08
Many merged loops recorded from modular synth.
著者: Gis Sweden
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00:30
Recording the output of arturia's 'tape mello-fi'. I wish you good luck on your project and/or happy sampling!ps: i'm very curious, so don't fret about sharing!. ~ urukluwo 🐉.
著者: Urukluwo
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03:31
Field recording of a night at the bar.
著者: Europa
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00:03
Tossing a couple of ice cubes into a pint glass. Recorded on cubase using an m-audio mic.
著者: Kenrt
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02:01
I created this 64 bar loop in bitwig using a sample loop that comes free with the software, next i used a multiband fx plugin with automation controlling amounts and cutoff's which then in turn had various effects on the seperate bands and as you can clearly hear i used the glitch2 vst mostly on the mid frequencies, which in turn had automation controlling/changing it's presets.
著者: Mikobuntu
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01:34
The sound of a busy los angeles bar/restaurant that sells mediterranean type food.
著者: Magnesium
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00:03
Needed a really good bar drop for a film we where doing. This is a nice combo of a dead iron bar drop to a sawdust and straw wood floor with the addition of a metal bar dropped on wood. A little drop of a light bulb to finish the sound off. One drop not repeated. Created by paul villeneuve and dominic kaiser / stories by the river.
著者: Dkudos
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01:15
Full machine cycle of an unbranded air compressor turned on, running freely and turned off. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
著者: Ldezem
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00:06
Gas bottle (20 kg) hit with a hose coupler once. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
著者: Ldezem
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00:01
Desoutter ts144 pneumatic cutter started once. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
著者: Ldezem
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00:03
Desoutter pneumatic drill going through metal, short. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
著者: Ldezem
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00:12
Atlas copco r4n pneumatic hammer started four times and it sounds mellow. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
著者: Ldezem
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00:11
Created solely from freesound. Org instruments and sequenced in jeskola buzz. This is recorded at 90 bpm for the continuum 4 project. You can visit the thread here:. Http://www. Freesound. Org/forum/dare-the-community/32704/. Here are the sounds used in the break:. Snare: http://www. Freesound. Org/people/ltibbits/sounds/16306/kick boom: http://www. Freesound. Org/people/jobro/sounds/33523/short kick: http://www. Freesound. Org/people/crescendo/sounds/16709/closed hat: http://www. Freesound. Org/people/atomwrath/sounds/11394/rim: http://www. Freesound. Org/people/opm/sounds/2095/open hat: http://www. Freesound. Org/people/tictacshutup/sounds/423/static: http://www. Freesound. Org/people/hello_flowers/sounds/30974/rev crash: http://www. Freesound. Org/people/halleck/sounds/30938/. I've added an amplitube 80's ballad effect to this one.
著者: Snapper
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00:05
A sequence of beeps created in vst instrument p8 on super pulse setting at 120 bpm c2 / c3 for continuum 4 project. Http://www. Freesound. Org/forum/dare-the-community/32704/.
著者: Snapper
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00:23
Pouring some scotch in my glass. Mic: audio technica at2050, cardioid, through art tube mp preamp.
著者: Ammorts
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01:24
Five studio recorded bar chimes samples.
著者: Tosha
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00:25
Pressing the spacebar on a simple, small bluetooth keyboard. Recorded using a rode nt5 with the regular cardiod capsule and sound devices mixpre-6. Noise-reduction in izotope rx7.
著者: Cabled Mess
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00:45
Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
著者: Gokalp Gonen
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01:14
Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
著者: Gokalp Gonen
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01:01
Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
著者: Gokalp Gonen
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03:54
Recording of a bar in glasgow. Recorded using a marantz pmd661.
著者: Squareal
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04:25
New york city nightclub after closing at 4am, crowd walla, bouncers, kitchen staff.
著者: Splicesound
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00:04
Can be used with on rd loop 1 to create a simple but decent drum beat. Wav.
著者: Cheeseymofodude
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00:12
Atlas copco rrc 22f pneumatic chisel hammer used to force hot steel four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
著者: Ldezem
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00:05
I cut this 4 bar from my own song. I don't remember the bpm.
著者: Daatg
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00:11
Created solely from freesound. Org instruments and sequenced in jeskola buzz. This is recorded at 90 bpm for the continuum 4 project. You can visit the thread here:. Http://www. Freesound. Org/forum/dare-the-community/32704/. Here are the sounds used in the break:. Snare: http://www. Freesound. Org/people/ltibbits/sounds/16306/kick boom: http://www. Freesound. Org/people/jobro/sounds/33523/short kick: http://www. Freesound. Org/people/crescendo/sounds/16709/closed hat: http://www. Freesound. Org/people/atomwrath/sounds/11394/rim: http://www. Freesound. Org/people/opm/sounds/2095/open hat: http://www. Freesound. Org/people/tictacshutup/sounds/423/static: http://www. Freesound. Org/people/hello_flowers/sounds/30974/rev crash: http://www. Freesound. Org/people/halleck/sounds/30938/.
著者: Snapper
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00:26
I created this in sony acid with an ahh string from alchemy vst, the sequenced beat-like ahh's were created by knocking the volume on and (nearly) off to a sequence that sounds great over beats. Created for the continuum 4 project which can be visited here:. Http://www. Freesound. Org/forum/dare-the-community/32704/.
著者: Snapper
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00:22
This is a collaboration of the following freesound. Org samples:. Http://www. Freesound. Org/people/klankbeeld/sounds/161280/http://www. Freesound. Org/people/snapper4298/sounds/161290/. I applied a nice long decay to the field sounds in time with the tempo. Loops at 90bpm over 8 bars.
著者: Snapper
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00:15
Lullaby melancholic loop, made with synth. 130 bpm.
著者: Raph
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01:49
Sound of people eating dinner, a few seconds in a drink is poured. Great paired with walla walla for restaurant ambience or two people eating dinner.
著者: Shelbyshark
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02:60
A recording of a bar in maboneng, south africa. Interior ambience - night - busy. Voices of mostly african males talking and drinking.
著者: Jackattackeditor
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01:28
Atmos of a popular bar in the western burbs of melbourne, recorded on an iphone.
著者: Veronicalyn
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02:01
Some people talking in spanish in the background while they are eating. Recorded in ambisonic format.
著者: Gat Negre
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